PhD in Visual Arts-History, Theory and Criticism of Art-PPGAV-UFRGS. Adjunct Professor of History, Theory and Criticism of Art and Methodology and Practice of Art Teaching (UERGS). He was assistant curator of the 12th Mercosur Biennial. Work with the links between exhibitions, film editing, art history and racialization in Brazilian art and the visibility of black subjects in the visual arts. Author of the thesis Film Editing and Exhibition: Black Voices in the White Cube of Brazilian Art. Member of the curatorial committee of the Museum of Contemporary Art at the University of São Paulo/USP. Curator of the exhibition "Presença Negra no Museu de Arte do Rio Grande do Sul"(2022). Member of the curatorial board of the exhibitions: "Social Fabric (Houston-USA); "Enpowerment" (Volfsburg-Germany), Fractured Times (MAC-USP-Brazil ) Member of the board of AWARE - Archives of Women Artists, Research and Exhibitions (France-USA),). In 2023 he was general curator of "Dos Brasis: Arte e pensamento negro", the most comprehensive exhibition of black Brazilian artists (Brazil-Sao Paulo). That same year he was guest curator at the Inhotim Institute for the 2023 season, curating the exhibitions: Mestre Didi: The Initiates in Mystery Don't Die, "Doing the Modern, Building the Contemporary: Rubem Valentim and the Right to Form. In 2024, curated the show: Jaime Lauriano: Why You don’t know about the Western Remains (NY) curator with Andrea Giunta, the exhibition Rosana Paulino: Amefricana, at MALBA (Buenos Aires- Argentina), Panmela Castro: From the Garden to an Ocean ( Lisbon- Portugal), The Ocean is the Axis ( Mexico City-Mexico). In the same year it was guest fellow at The Clark Institut and at Getty Center Foundation with his Pos-Doctoral Research :Where is the Black Brazilians in the Afro diasporic Art History?.